Combining Texts

All the ideas for 'On What Grounds What', 'Reply to 'Rorarius' 2nd ed' and 'An Essay in Aesthetics'

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24 ideas

1. Philosophy / E. Nature of Metaphysics / 1. Nature of Metaphysics
Modern Quinean metaphysics is about what exists, but Aristotelian metaphysics asks about grounding [Schaffer,J]
1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
If you tore the metaphysics out of philosophy, the whole enterprise would collapse [Schaffer,J]
2. Reason / B. Laws of Thought / 6. Ockham's Razor
We should not multiply basic entities, but we can have as many derivative entities as we like [Schaffer,J]
6. Mathematics / C. Sources of Mathematics / 1. Mathematical Platonism / a. For mathematical platonism
If 'there are red roses' implies 'there are roses', then 'there are prime numbers' implies 'there are numbers' [Schaffer,J]
7. Existence / C. Structure of Existence / 1. Grounding / a. Nature of grounding
Grounding is unanalysable and primitive, and is the basic structuring concept in metaphysics [Schaffer,J]
7. Existence / C. Structure of Existence / 5. Supervenience / a. Nature of supervenience
Supervenience is just modal correlation [Schaffer,J]
7. Existence / C. Structure of Existence / 7. Abstract/Concrete / a. Abstract/concrete
The cosmos is the only fundamental entity, from which all else exists by abstraction [Schaffer,J]
7. Existence / E. Categories / 4. Category Realism
Maybe categories are just the different ways that things depend on basic substances [Schaffer,J]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
There exist heaps with no integral unity, so we should accept arbitrary composites in the same way [Schaffer,J]
The notion of 'grounding' can explain integrated wholes in a way that mere aggregates can't [Schaffer,J]
10. Modality / E. Possible worlds / 1. Possible Worlds / b. Impossible worlds
Belief in impossible worlds may require dialetheism [Schaffer,J]
11. Knowledge Aims / B. Certain Knowledge / 2. Common Sense Certainty
'Moorean certainties' are more credible than any sceptical argument [Schaffer,J]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
27. Natural Reality / D. Time / 1. Nature of Time / b. Relative time
Space and time are the order of all possibilities, and don't just relate to what is actual [Leibniz]