Combining Texts

All the ideas for 'Deflationary Metaontology of Thomasson', 'The Sublime and the Good' and 'Ontological Categories'

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21 ideas

5. Theory of Logic / F. Referring in Logic / 1. Naming / a. Names
We negate predicates but do not negate names [Westerhoff]
7. Existence / E. Categories / 1. Categories
Categories can be ordered by both containment and generality [Westerhoff]
How far down before we are too specialised to have a category? [Westerhoff]
Maybe objects in the same category have the same criteria of identity [Westerhoff]
Categories are base-sets which are used to construct states of affairs [Westerhoff]
Categories are held to explain why some substitutions give falsehood, and others meaninglessness [Westerhoff]
Categories systematize our intuitions about generality, substitutability, and identity [Westerhoff]
Categories as generalities don't give a criterion for a low-level cut-off point [Westerhoff]
7. Existence / E. Categories / 2. Categorisation
The aim is that everything should belong in some ontological category or other [Westerhoff]
7. Existence / E. Categories / 3. Proposed Categories
All systems have properties and relations, and most have individuals, abstracta, sets and events [Westerhoff]
7. Existence / E. Categories / 5. Category Anti-Realism
Ontological categories are like formal axioms, not unique and with necessary membership [Westerhoff]
Categories merely systematise, and are not intrinsic to objects [Westerhoff]
A thing's ontological category depends on what else exists, so it is contingent [Westerhoff]
9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
No sortal could ever exactly pin down which set of particles count as this 'cup' [Schaffer,J]
9. Objects / D. Essence of Objects / 5. Essence as Kind
Essential kinds may be too specific to provide ontological categories [Westerhoff]
9. Objects / F. Identity among Objects / 6. Identity between Objects
Identities can be true despite indeterminate reference, if true under all interpretations [Schaffer,J]
21. Aesthetics / B. Nature of Art / 1. Defining Art
We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Great art proves the absurdity of art for art's sake [Murdoch]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Because art is love, it improves us morally [Murdoch]
Art and morals are essentially the same, and are both identical with love [Murdoch]
22. Metaethics / B. Value / 2. Values / g. Love
Love is realising something other than oneself is real [Murdoch]