Combining Texts

All the ideas for 'On What Grounds What', 'Upon Nothing: Swansea lecture' and 'Art and Its Objects'

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33 ideas

1. Philosophy / E. Nature of Metaphysics / 1. Nature of Metaphysics
Modern Quinean metaphysics is about what exists, but Aristotelian metaphysics asks about grounding [Schaffer,J]
1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
If you tore the metaphysics out of philosophy, the whole enterprise would collapse [Schaffer,J]
1. Philosophy / H. Continental Philosophy / 1. Continental Philosophy
Two marxist ideas have dominated in France: base and superstructure, and ideology [Scruton]
1. Philosophy / H. Continental Philosophy / 6. Deconstruction
On the surface of deconstructive writing, technicalities float and then drift away [Scruton]
Deconstruction is the last spasm of romanticism, now become hopeless and destructive [Scruton]
2. Reason / B. Laws of Thought / 6. Ockham's Razor
We should not multiply basic entities, but we can have as many derivative entities as we like [Schaffer,J]
6. Mathematics / C. Sources of Mathematics / 1. Mathematical Platonism / a. For mathematical platonism
If 'there are red roses' implies 'there are roses', then 'there are prime numbers' implies 'there are numbers' [Schaffer,J]
7. Existence / C. Structure of Existence / 1. Grounding / a. Nature of grounding
Grounding is unanalysable and primitive, and is the basic structuring concept in metaphysics [Schaffer,J]
7. Existence / C. Structure of Existence / 5. Supervenience / a. Nature of supervenience
Supervenience is just modal correlation [Schaffer,J]
7. Existence / C. Structure of Existence / 7. Abstract/Concrete / a. Abstract/concrete
The cosmos is the only fundamental entity, from which all else exists by abstraction [Schaffer,J]
7. Existence / E. Categories / 4. Category Realism
Maybe categories are just the different ways that things depend on basic substances [Schaffer,J]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
There exist heaps with no integral unity, so we should accept arbitrary composites in the same way [Schaffer,J]
The notion of 'grounding' can explain integrated wholes in a way that mere aggregates can't [Schaffer,J]
10. Modality / E. Possible worlds / 1. Possible Worlds / b. Impossible worlds
Belief in impossible worlds may require dialetheism [Schaffer,J]
11. Knowledge Aims / B. Certain Knowledge / 2. Common Sense Certainty
'Moorean certainties' are more credible than any sceptical argument [Schaffer,J]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
A love of nature must precede a love of art [Wollheim]
Interpretation is performance for some arts, and critical for all arts [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]
24. Political Theory / B. Nature of a State / 2. State Legitimacy / c. Social contract
The benefits of social freedom outweigh the loneliness, doubt and alienation it brings [Scruton]
24. Political Theory / D. Ideologies / 3. Conservatism
So-called 'liberation' is the enemy of freedom, destroying the very structures that are needed [Scruton]