37 ideas
| 10888 | Sets can be defined by 'enumeration', or by 'abstraction' (based on a property) [Zalabardo] |
| 10889 | The 'Cartesian Product' of two sets relates them by pairing every element with every element [Zalabardo] |
| 10890 | A 'partial ordering' is reflexive, antisymmetric and transitive [Zalabardo] |
| 10886 | Determinacy: an object is either in a set, or it isn't [Zalabardo] |
| 10887 | Specification: Determinate totals of objects always make a set [Zalabardo] |
| 10897 | A first-order 'sentence' is a formula with no free variables [Zalabardo] |
| 10893 | Γ |= φ for sentences if φ is true when all of Γ is true [Zalabardo] |
| 10899 | Γ |= φ if φ is true when all of Γ is true, for all structures and interpretations [Zalabardo] |
| 10896 | Propositional logic just needs ¬, and one of ∧, ∨ and → [Zalabardo] |
| 10898 | The semantics shows how truth values depend on instantiations of properties and relations [Zalabardo] |
| 10902 | We can do semantics by looking at given propositions, or by building new ones [Zalabardo] |
| 10892 | We make a truth assignment to T and F, which may be true and false, but merely differ from one another [Zalabardo] |
| 10895 | 'Logically true' (|= φ) is true for every truth-assignment [Zalabardo] |
| 10900 | Logically true sentences are true in all structures [Zalabardo] |
| 10894 | A sentence-set is 'satisfiable' if at least one truth-assignment makes them all true [Zalabardo] |
| 10901 | Some formulas are 'satisfiable' if there is a structure and interpretation that makes them true [Zalabardo] |
| 10903 | A structure models a sentence if it is true in the model, and a set of sentences if they are all true in the model [Zalabardo] |
| 10891 | If a set is defined by induction, then proof by induction can be applied to it [Zalabardo] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 21836 | Philosophers after Aristotle endorsed the medical analogy for eudaimonia [Nussbaum, by Flanagan] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |