Combining Texts

All the ideas for 'People and Their Bodies', 'The Logic of What Might Have Been' and 'The Intentional Fallacy'

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34 ideas

4. Formal Logic / D. Modal Logic ML / 2. Tools of Modal Logic / b. Terminology of ML
A world is 'accessible' to another iff the first is possible according to the second [Salmon,N]
4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / d. System T
For metaphysics, T may be the only correct system of modal logic [Salmon,N]
4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / f. System B
System B has not been justified as fallacy-free for reasoning on what might have been [Salmon,N]
In B it seems logically possible to have both p true and p is necessarily possibly false [Salmon,N]
System B implies that possibly-being-realized is an essential property of the world [Salmon,N]
4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / g. System S4
What is necessary is not always necessarily necessary, so S4 is fallacious [Salmon,N]
4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / h. System S5
S5 modal logic ignores accessibility altogether [Salmon,N]
S5 believers say that-things-might-have-been-that-way is essential to ways things might have been [Salmon,N]
The unsatisfactory counterpart-theory allows the retention of S5 [Salmon,N]
4. Formal Logic / D. Modal Logic ML / 4. Alethic Modal Logic
Metaphysical (alethic) modal logic concerns simple necessity and possibility (not physical, epistemic..) [Salmon,N]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Any property is attached to anything in some possible world, so I am a radical anti-essentialist [Salmon,N]
9. Objects / E. Objects over Time / 5. Temporal Parts
How can point-duration slices of people have beliefs or desires? [Thomson]
10. Modality / A. Necessity / 3. Types of Necessity
Logical possibility contains metaphysical possibility, which contains nomological possibility [Salmon,N]
10. Modality / A. Necessity / 5. Metaphysical Necessity
In the S5 account, nested modalities may be unseen, but they are still there [Salmon,N]
Metaphysical necessity is said to be unrestricted necessity, true in every world whatsoever [Salmon,N]
Bizarre identities are logically but not metaphysically possible, so metaphysical modality is restricted [Salmon,N]
Without impossible worlds, the unrestricted modality that is metaphysical has S5 logic [Salmon,N]
Metaphysical necessity is NOT truth in all (unrestricted) worlds; necessity comes first, and is restricted [Salmon,N]
10. Modality / A. Necessity / 6. Logical Necessity
Logical necessity is free of constraints, and may accommodate all of S5 logic [Salmon,N]
10. Modality / A. Necessity / 7. Natural Necessity
Nomological necessity is expressed with intransitive relations in modal semantics [Salmon,N]
10. Modality / C. Sources of Modality / 5. Modality from Actuality
Necessity and possibility are not just necessity and possibility according to the actual world [Salmon,N]
10. Modality / E. Possible worlds / 1. Possible Worlds / b. Impossible worlds
Impossible worlds are also ways for things to be [Salmon,N]
Denial of impossible worlds involves two different confusions [Salmon,N]
Without impossible worlds, how things might have been is the only way for things to be [Salmon,N]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
Possible worlds rely on what might have been, so they can' be used to define or analyse modality [Salmon,N]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
Possible worlds are maximal abstract ways that things might have been [Salmon,N]
Possible worlds just have to be 'maximal', but they don't have to be consistent [Salmon,N]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / c. Worlds as propositions
You can't define worlds as sets of propositions, and then define propositions using worlds [Salmon,N]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]