Combining Texts

All the ideas for 'Two Problems of Epistemology', 'Sources of the Self' and 'Art and Its Objects'

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26 ideas

8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
14. Science / A. Basis of Science / 6. Falsification
18284 Particulars can be verified or falsified, but general statements can only be falsified (conclusively) [Popper]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
16. Persons / A. Concept of a Person / 4. Persons as Agents
4020 The modern self has disengaged reason, self-exploration, and personal commitment [Taylor,C]
16. Persons / B. Nature of the Self / 2. Ethical Self
4002 My aim is to map the connections between our sense of self and our moral understanding [Taylor,C]
16. Persons / E. Rejecting the Self / 3. Narrative Self
4006 I can only be aware of myself as a person who changes by means of my personal history [Taylor,C]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
20343 A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / b. Defining ethics
4003 Selfhood and moral values are inextricably intertwined [Taylor,C]
23. Ethics / C. Virtue Theory / 3. Virtues / e. Honour
4021 Willingness to risk life was the constitutive quality of the man of honour [Taylor,C]
23. Ethics / C. Virtue Theory / 3. Virtues / h. Respect
4005 To have respect for people, you must feel their claims, or their injustices, or hold them in awe [Taylor,C]
23. Ethics / D. Deontological Ethics / 4. Categorical Imperative
4004 Consistency presupposes intrinsic description [Taylor,C]
23. Ethics / E. Utilitarianism / 1. Utilitarianism
4010 In later utilitarianism the modern stress on freedom leads to the rejection of paternalism [Taylor,C]
28. God / A. Divine Nature / 6. Divine Morality / d. God decrees morality
4009 Nominalists defended the sovereignty of God against the idea of natural existing good and evil [Taylor,C]