Combining Texts

All the ideas for 'The Emperor's New 'Knows'', 'works' and 'Art'

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32 ideas

13. Knowledge Criteria / C. External Justification / 6. Contextual Justification / b. Invariantism
How could 'S knows he has hands' not have a fixed content? [Bach]
If contextualism is right, knowledge sentences are baffling out of their context [Bach]
Sceptics aren't changing the meaning of 'know', but claiming knowing is tougher than we think [Bach]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / j. Ethics by convention
Armies and businesses create moralities in which their activity can do no wrong [Marx, by Weil]
24. Political Theory / D. Ideologies / 6. Liberalism / d. Liberal freedom
Liberal freedom is the right to be separate, and ignores the union of man with man [Marx]
24. Political Theory / D. Ideologies / 6. Liberalism / g. Liberalism critique
Liberals want the right to be separate, rather than for people to be united [Marx]
24. Political Theory / D. Ideologies / 7. Communitarianism / a. Communitarianism
Early Marx anticipates communitarian objections to liberalism [Marx, by Oksala]
24. Political Theory / D. Ideologies / 9. Communism
By saying the material dialectic of history aspires to the best, Marx agreed with capitalism [Weil on Marx]
False consciousness results from concealment by the superstructure [Marx, by Singer]
Marx says force is everything, and that the weak will become strong, while remaining the weak [Weil on Marx]
Marx rejected equal rights because they never actually treat people as equals [Marx, by Kymlicka]
24. Political Theory / D. Ideologies / 11. Capitalism
The essence of capitalism is the subordination of people to things [Marx, by Weil]
Capitalism changes the world, by socialising the idea of a commodity [Marx, by Bowie]
Marx thought capitalism was partly liberating, and could make labour and ownership more humane [Marx, by Bowie]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]