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All the ideas for 'Semantic Relationism', 'fragments/reports' and 'The Philosophy of Art (2nd ed)'

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44 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
5. Theory of Logic / E. Structures of Logic / 4. Variables in Logic
The usual Tarskian interpretation of variables is to specify their range of values [Fine,K]
Variables can be viewed as special terms - functions taking assignments into individuals [Fine,K]
It seemed that Frege gave the syntax for variables, and Tarski the semantics, and that was that [Fine,K]
In separate expressions variables seem identical in role, but in the same expression they aren't [Fine,K]
The 'algebraic' account of variables reduces quantification to the algebra of its component parts [Fine,K]
'Instantial' accounts of variables say we grasp arbitrary instances from their use in quantification [Fine,K]
5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
Cicero/Cicero and Cicero/Tully may differ in relationship, despite being semantically the same [Fine,K]
9. Objects / F. Identity among Objects / 1. Concept of Identity
I can only represent individuals as the same if I do not already represent them as the same [Fine,K]
9. Objects / F. Identity among Objects / 5. Self-Identity
If Cicero=Tully refers to the man twice, then surely Cicero=Cicero does as well? [Fine,K]
18. Thought / B. Mechanics of Thought / 5. Mental Files
Mental files are devices for keeping track of basic coordination of objects [Fine,K]
18. Thought / C. Content / 1. Content
You cannot determine the full content from a thought's intrinsic character, as relations are involved [Fine,K]
19. Language / C. Assigning Meanings / 2. Semantics
The standard aim of semantics is to assign a semantic value to each expression [Fine,K]
That two utterances say the same thing may not be intrinsic to them, but involve their relationships [Fine,K]
The two main theories are Holism (which is inferential), and Representational (which is atomistic) [Fine,K]
We should pursue semantic facts as stated by truths in theories (and not put the theories first!) [Fine,K]
Referentialist semantics has objects for names, properties for predicates, and propositions for connectives [Fine,K]
Fregeans approach the world through sense, Referentialists through reference [Fine,K]
19. Language / C. Assigning Meanings / 9. Indexical Semantics
I take indexicals such as 'this' and 'that' to be linked to some associated demonstration [Fine,K]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Immorality may or may not be an artistic defect [Davies,S]
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / e. Character
Virtue comes more from habit than character [Critias]
28. God / C. Attitudes to God / 5. Atheism
Fear of the gods was invented to discourage secret sin [Critias]