Combining Texts

All the ideas for 'Things and Their Parts', 'An Essay in Aesthetics' and 'Subjective View: sec qualities and indexicals'

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38 ideas

4. Formal Logic / G. Formal Mereology / 1. Mereology
Part and whole contribute asymmetrically to one another, so must differ [Fine,K]
7. Existence / D. Theories of Reality / 2. Realism
To explain object qualities, primary qualities must be more than mere sources of experience [McGinn]
9. Objects / B. Unity of Objects / 1. Unifying an Object / c. Unity as conceptual
Hierarchical set membership models objects better than the subset or aggregate relations do [Fine,K]
9. Objects / C. Structure of Objects / 3. Matter of an Object
The matter is a relatively unstructured version of the object, like a set without membership structure [Fine,K]
9. Objects / C. Structure of Objects / 8. Parts of Objects / a. Parts of objects
A 'temporary' part is a part at one time, but may not be at another, like a carburetor [Fine,K]
A 'timeless' part just is a part, not a part at some time; some atoms are timeless parts of a water molecule [Fine,K]
9. Objects / C. Structure of Objects / 8. Parts of Objects / b. Sums of parts
An 'aggregative' sum is spread in time, and exists whenever a component exists [Fine,K]
An 'compound' sum is not spread in time, and only exists when all the components exists [Fine,K]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
Two sorts of whole have 'rigid embodiment' (timeless parts) or 'variable embodiment' (temporary parts) [Fine,K]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / b. Primary/secondary
Being red simply consists in looking red [McGinn]
Relativity means differing secondary perceptions are not real disagreements [McGinn]
Phenomenalism is correct for secondary qualities, so scepticism is there impossible [McGinn]
Maybe all possible sense experience must involve both secondary and primary qualities [McGinn]
You understood being red if you know the experience involved; not so with thngs being square [McGinn]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / c. Primary qualities
You don't need to know how a square thing looks or feels to understand squareness [McGinn]
Touch doesn't provide direct experience of primary qualities, because touch feels temperature [McGinn]
We can perceive objectively, because primary qualities are not mind-created [McGinn]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / d. Secondary qualities
Lockean secondary qualities (unlike primaries) produce particular sensory experiences [McGinn]
Could there be a mind which lacked secondary quality perception? [McGinn]
Secondary qualities contain information; their variety would be superfluous otherwise [McGinn]
The utility theory says secondary qualities give information useful to human beings [McGinn]
12. Knowledge Sources / B. Perception / 3. Representation
We see objects 'directly' by representing them [McGinn]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
18. Thought / A. Modes of Thought / 9. Indexical Thought
The indexical perspective is subjective, incorrigible and constant [McGinn]
Indexical thought is in relation to my self-consciousness [McGinn]
Indexicals do not figure in theories of physics, because they are not explanatory causes [McGinn]
Indexical concepts are indispensable, as we need them for the power to act [McGinn]
19. Language / C. Assigning Meanings / 9. Indexical Semantics
I can know indexical truths a priori, unlike their non-indexical paraphrases [McGinn]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]