Combining Texts

All the ideas for 'Intro to 'Modality and Tense'', 'An Essay in Aesthetics' and 'The New Organon'

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23 ideas

1. Philosophy / D. Nature of Philosophy / 7. Despair over Philosophy
Philosophers with a new concept are like children with a new toy [Fine,K]
7. Existence / C. Structure of Existence / 7. Abstract/Concrete / a. Abstract/concrete
Possible objects are abstract; actual concrete objects are possible; so abstract/concrete are compatible [Fine,K]
7. Existence / D. Theories of Reality / 3. Reality
A non-standard realism, with no privileged standpoint, might challenge its absoluteness or coherence [Fine,K]
8. Modes of Existence / E. Nominalism / 1. Nominalism / a. Nominalism
Only individual bodies exist [Bacon]
9. Objects / A. Existence of Objects / 3. Objects in Thought
Objects, as well as sentences, can have logical form [Fine,K]
9. Objects / C. Structure of Objects / 2. Hylomorphism / c. Form as causal
There are only individual bodies containing law-based powers, and the Forms are these laws [Bacon]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / b. Essence not necessities
We must distinguish between the identity or essence of an object, and its necessary features [Fine,K]
10. Modality / A. Necessity / 3. Types of Necessity
The three basic types of necessity are metaphysical, natural and normative [Fine,K]
10. Modality / A. Necessity / 5. Metaphysical Necessity
Metaphysical necessity may be 'whatever the circumstance', or 'regardless of circumstances' [Fine,K]
10. Modality / A. Necessity / 11. Denial of Necessity
Empiricists suspect modal notions: either it happens or it doesn't; it is just regularities. [Fine,K]
14. Science / B. Scientific Theories / 2. Aim of Science
Science must clear away the idols of the mind if they are ever going to find the truth [Bacon]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
19. Language / C. Assigning Meanings / 8. Possible Worlds Semantics
If sentence content is all worlds where it is true, all necessary truths have the same content! [Fine,K]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]