33 ideas
| 19463 | Induction assumes some uniformity in nature, or that in some respects the future is like the past [Ayer] |
| 14193 | 'Substance theorists' take modal properties as primitive, without structure, just falling under a sortal [Paul,LA] |
| 14195 | If an object's sort determines its properties, we need to ask what determines its sort [Paul,LA] |
| 14196 | Substance essentialism says an object is multiple, as falling under various different sortals [Paul,LA] |
| 14198 | Absolutely unrestricted qualitative composition would allow things with incompatible properties [Paul,LA] |
| 14190 | Deep essentialist objects have intrinsic properties that fix their nature; the shallow version makes it contextual [Paul,LA] |
| 14191 | Deep essentialists say essences constrain how things could change; modal profiles fix natures [Paul,LA] |
| 14192 | Essentialism must deal with charges of arbitrariness, and failure to reduce de re modality [Paul,LA] |
| 14197 | An object's modal properties don't determine its possibilities [Paul,LA] |
| 14189 | 'Modal realists' believe in many concrete worlds, 'actualists' in just this world, 'ersatzists' in abstract other worlds [Paul,LA] |
| 19461 | Knowing I exist reveals nothing at all about my nature [Ayer] |
| 19459 | To say 'I am not thinking' must be false, but it might have been true, so it isn't self-contradictory [Ayer] |
| 19460 | 'I know I exist' has no counterevidence, so it may be meaningless [Ayer] |
| 19464 | We only discard a hypothesis after one failure if it appears likely to keep on failing [Ayer] |
| 19462 | Induction passes from particular facts to other particulars, or to general laws, non-deductively [Ayer] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |