Combining Texts

All the ideas for 'In Defense of Essentialism', 'Epistemic and Metaphysical Possibility' and 'Art and Its Objects'

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26 ideas

8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
14193 'Substance theorists' take modal properties as primitive, without structure, just falling under a sortal [Paul,LA]
14195 If an object's sort determines its properties, we need to ask what determines its sort [Paul,LA]
14196 Substance essentialism says an object is multiple, as falling under various different sortals [Paul,LA]
9. Objects / C. Structure of Objects / 8. Parts of Objects / b. Sums of parts
14198 Absolutely unrestricted qualitative composition would allow things with incompatible properties [Paul,LA]
9. Objects / D. Essence of Objects / 2. Types of Essence
14190 Deep essentialist objects have intrinsic properties that fix their nature; the shallow version makes it contextual [Paul,LA]
9. Objects / D. Essence of Objects / 6. Essence as Unifier
14191 Deep essentialists say essences constrain how things could change; modal profiles fix natures [Paul,LA]
9. Objects / D. Essence of Objects / 15. Against Essentialism
14192 Essentialism must deal with charges of arbitrariness, and failure to reduce de re modality [Paul,LA]
14197 An object's modal properties don't determine its possibilities [Paul,LA]
10. Modality / A. Necessity / 6. Logical Necessity
12185 Logical necessity is epistemic necessity, which is the old notion of a priori [Edgington, by McFetridge]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
14189 'Modal realists' believe in many concrete worlds, 'actualists' in just this world, 'ersatzists' in abstract other worlds [Paul,LA]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
20343 A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]