Combining Texts

All the ideas for 'In Defense of Essentialism', 'The Problem of Possibilia' and 'The Intentional Fallacy'

expand these ideas     |    start again     |     specify just one area for these texts


17 ideas

9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
'Substance theorists' take modal properties as primitive, without structure, just falling under a sortal [Paul,LA]
If an object's sort determines its properties, we need to ask what determines its sort [Paul,LA]
Substance essentialism says an object is multiple, as falling under various different sortals [Paul,LA]
9. Objects / C. Structure of Objects / 8. Parts of Objects / b. Sums of parts
Absolutely unrestricted qualitative composition would allow things with incompatible properties [Paul,LA]
9. Objects / D. Essence of Objects / 2. Types of Essence
Deep essentialist objects have intrinsic properties that fix their nature; the shallow version makes it contextual [Paul,LA]
9. Objects / D. Essence of Objects / 6. Essence as Unifier
Deep essentialists say essences constrain how things could change; modal profiles fix natures [Paul,LA]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Essentialism must deal with charges of arbitrariness, and failure to reduce de re modality [Paul,LA]
An object's modal properties don't determine its possibilities [Paul,LA]
10. Modality / B. Possibility / 1. Possibility
Possible states of affairs are not propositions; a proposition can't be a state of affairs! [Fine,K]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
The actual world is a possible world, so we can't define possible worlds as 'what might have been' [Fine,K]
'Modal realists' believe in many concrete worlds, 'actualists' in just this world, 'ersatzists' in abstract other worlds [Paul,LA]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]