Combining Texts

All the ideas for 'In Defense of Essentialism', 'The Principles of Art' and 'Critique of Judgement I: Aesthetic'

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27 ideas

9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
14193 'Substance theorists' take modal properties as primitive, without structure, just falling under a sortal [Paul,LA]
14195 If an object's sort determines its properties, we need to ask what determines its sort [Paul,LA]
14196 Substance essentialism says an object is multiple, as falling under various different sortals [Paul,LA]
9. Objects / C. Structure of Objects / 8. Parts of Objects / b. Sums of parts
14198 Absolutely unrestricted qualitative composition would allow things with incompatible properties [Paul,LA]
9. Objects / D. Essence of Objects / 2. Types of Essence
14190 Deep essentialist objects have intrinsic properties that fix their nature; the shallow version makes it contextual [Paul,LA]
9. Objects / D. Essence of Objects / 6. Essence as Unifier
14191 Deep essentialists say essences constrain how things could change; modal profiles fix natures [Paul,LA]
9. Objects / D. Essence of Objects / 15. Against Essentialism
14192 Essentialism must deal with charges of arbitrariness, and failure to reduce de re modality [Paul,LA]
14197 An object's modal properties don't determine its possibilities [Paul,LA]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
14189 'Modal realists' believe in many concrete worlds, 'actualists' in just this world, 'ersatzists' in abstract other worlds [Paul,LA]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
12157 Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20346 The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
18547 Only rational beings can experience beauty [Kant, by Scruton]
24172 It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
20408 With respect to the senses, taste is an entirely personal matter [Kant]
20409 When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
20411 Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
24170 Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
22711 The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
4025 Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
20412 Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
22046 The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
21458 The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20420 The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20421 Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
5643 Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
20410 The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
20406 Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]