Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'W.V. Quine' and 'Intro to 'Modality and Tense''

expand these ideas     |    start again     |     specify just one area for these texts


26 ideas

1. Philosophy / D. Nature of Philosophy / 7. Despair over Philosophy
Philosophers with a new concept are like children with a new toy [Fine,K]
4. Formal Logic / B. Propositional Logic PL / 1. Propositional Logic
Sentential logic is consistent (no contradictions) and complete (entirely provable) [Orenstein]
4. Formal Logic / B. Propositional Logic PL / 2. Tools of Propositional Logic / e. Axioms of PL
Axiomatization simply picks from among the true sentences a few to play a special role [Orenstein]
4. Formal Logic / D. Modal Logic ML / 4. Alethic Modal Logic
S4: 'poss that poss that p' implies 'poss that p'; S5: 'poss that nec that p' implies 'nec that p' [Orenstein]
4. Formal Logic / F. Set Theory ST / 1. Set Theory
Unlike elementary logic, set theory is not complete [Orenstein]
4. Formal Logic / G. Formal Mereology / 1. Mereology
Mereology has been exploited by some nominalists to achieve the effects of set theory [Orenstein]
5. Theory of Logic / G. Quantification / 1. Quantification
Traditionally, universal sentences had existential import, but were later treated as conditional claims [Orenstein]
5. Theory of Logic / G. Quantification / 4. Substitutional Quantification
The substitution view of quantification says a sentence is true when there is a substitution instance [Orenstein]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / b. Types of number
The whole numbers are 'natural'; 'rational' numbers include fractions; the 'reals' include root-2 etc. [Orenstein]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / a. Early logicism
The logicists held that is-a-member-of is a logical constant, making set theory part of logic [Orenstein]
7. Existence / C. Structure of Existence / 7. Abstract/Concrete / a. Abstract/concrete
Possible objects are abstract; actual concrete objects are possible; so abstract/concrete are compatible [Fine,K]
7. Existence / D. Theories of Reality / 3. Reality
A non-standard realism, with no privileged standpoint, might challenge its absoluteness or coherence [Fine,K]
7. Existence / E. Categories / 3. Proposed Categories
Just individuals in Nominalism; add sets for Extensionalism; add properties, concepts etc for Intensionalism [Orenstein]
9. Objects / A. Existence of Objects / 3. Objects in Thought
Objects, as well as sentences, can have logical form [Fine,K]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / b. Essence not necessities
We must distinguish between the identity or essence of an object, and its necessary features [Fine,K]
10. Modality / A. Necessity / 3. Types of Necessity
The three basic types of necessity are metaphysical, natural and normative [Fine,K]
10. Modality / A. Necessity / 5. Metaphysical Necessity
Metaphysical necessity may be 'whatever the circumstance', or 'regardless of circumstances' [Fine,K]
10. Modality / A. Necessity / 11. Denial of Necessity
Empiricists suspect modal notions: either it happens or it doesn't; it is just regularities. [Fine,K]
14. Science / B. Scientific Theories / 1. Scientific Theory
The Principle of Conservatism says we should violate the minimum number of background beliefs [Orenstein]
19. Language / A. Nature of Meaning / 10. Denial of Meanings
People presume meanings exist because they confuse meaning and reference [Orenstein]
19. Language / C. Assigning Meanings / 3. Predicates
Three ways for 'Socrates is human' to be true are nominalist, platonist, or Montague's way [Orenstein]
19. Language / C. Assigning Meanings / 8. Possible Worlds Semantics
If sentence content is all worlds where it is true, all necessary truths have the same content! [Fine,K]
19. Language / D. Propositions / 4. Mental Propositions
If two people believe the same proposition, this implies the existence of propositions [Orenstein]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]