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All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Causation' and 'Grounding: an opinionated introduction'

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23 ideas

1. Philosophy / E. Nature of Metaphysics / 1. Nature of Metaphysics
Using modal logic, philosophers tried to handle all metaphysics in modal terms [Correia/Schnieder]
2. Reason / B. Laws of Thought / 2. Sufficient Reason
Why do rationalists accept Sufficient Reason, when it denies the existence of fundamental facts? [Correia/Schnieder]
7. Existence / C. Structure of Existence / 1. Grounding / a. Nature of grounding
Is existential dependence by grounding, or do grounding claims arise from existential dependence? [Correia/Schnieder]
7. Existence / C. Structure of Existence / 1. Grounding / c. Grounding and explanation
Grounding is metaphysical and explanation epistemic, so keep them apart [Correia/Schnieder]
7. Existence / D. Theories of Reality / 8. Facts / a. Facts
The identity of two facts may depend on how 'fine-grained' we think facts are [Correia/Schnieder]
8. Modes of Existence / C. Powers and Dispositions / 2. Powers as Basic
If dispositions are more fundamental than causes, then they won't conceptually reduce to them [Bird on Lewis]
10. Modality / B. Possibility / 9. Counterfactuals
For true counterfactuals, both antecedent and consequent true is closest to actuality [Lewis]
16. Persons / F. Free Will / 6. Determinism / a. Determinism
Determinism says there can't be two identical worlds up to a time, with identical laws, which then differ [Lewis]
19. Language / D. Propositions / 2. Abstract Propositions / b. Propositions as possible worlds
A proposition is a set of possible worlds where it is true [Lewis]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
26. Natural Theory / C. Causation / 5. Direction of causation
A theory of causation should explain why cause precedes effect, not take it for granted [Lewis, by Field,H]
I reject making the direction of causation axiomatic, since that takes too much for granted [Lewis]
26. Natural Theory / C. Causation / 8. Particular Causation / d. Selecting the cause
It is just individious discrimination to pick out one cause and label it as 'the' cause [Lewis]
The modern regularity view says a cause is a member of a minimal set of sufficient conditions [Lewis]
26. Natural Theory / C. Causation / 9. General Causation / a. Constant conjunction
Regularity analyses could make c an effect of e, or an epiphenomenon, or inefficacious, or pre-empted [Lewis]
26. Natural Theory / C. Causation / 9. General Causation / c. Counterfactual causation
The counterfactual view says causes are necessary (rather than sufficient) for their effects [Lewis, by Bird]
Lewis has basic causation, counterfactuals, and a general ancestral (thus handling pre-emption) [Lewis, by Bird]
Counterfactual causation implies all laws are causal, which they aren't [Tooley on Lewis]
My counterfactual analysis applies to particular cases, not generalisations [Lewis]
One event causes another iff there is a causal chain from first to second [Lewis]
26. Natural Theory / D. Laws of Nature / 9. Counterfactual Claims
Lewis's account of counterfactuals is fine if we know what a law of nature is, but it won't explain the latter [Cohen,LJ on Lewis]