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All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Causation' and 'On Second-Order Logic'

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25 ideas

5. Theory of Logic / A. Overview of Logic / 7. Second-Order Logic
Boolos reinterprets second-order logic as plural logic [Boolos, by Oliver/Smiley]
Second-order logic metatheory is set-theoretic, and second-order validity has set-theoretic problems [Boolos]
5. Theory of Logic / C. Ontology of Logic / 1. Ontology of Logic
A sentence can't be a truth of logic if it asserts the existence of certain sets [Boolos]
5. Theory of Logic / G. Quantification / 2. Domain of Quantification
'∀x x=x' only means 'everything is identical to itself' if the range of 'everything' is fixed [Boolos]
5. Theory of Logic / K. Features of Logics / 4. Completeness
Weak completeness: if it is valid, it is provable. Strong: it is provable from a set of sentences [Boolos]
5. Theory of Logic / K. Features of Logics / 6. Compactness
Why should compactness be definitive of logic? [Boolos, by Hacking]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / e. Peano arithmetic 2nd-order
Many concepts can only be expressed by second-order logic [Boolos]
8. Modes of Existence / C. Powers and Dispositions / 2. Powers as Basic
If dispositions are more fundamental than causes, then they won't conceptually reduce to them [Bird on Lewis]
10. Modality / B. Possibility / 9. Counterfactuals
For true counterfactuals, both antecedent and consequent true is closest to actuality [Lewis]
16. Persons / F. Free Will / 6. Determinism / a. Determinism
Determinism says there can't be two identical worlds up to a time, with identical laws, which then differ [Lewis]
19. Language / D. Propositions / 2. Abstract Propositions / b. Propositions as possible worlds
A proposition is a set of possible worlds where it is true [Lewis]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
26. Natural Theory / C. Causation / 5. Direction of causation
A theory of causation should explain why cause precedes effect, not take it for granted [Lewis, by Field,H]
I reject making the direction of causation axiomatic, since that takes too much for granted [Lewis]
26. Natural Theory / C. Causation / 8. Particular Causation / d. Selecting the cause
It is just individious discrimination to pick out one cause and label it as 'the' cause [Lewis]
The modern regularity view says a cause is a member of a minimal set of sufficient conditions [Lewis]
26. Natural Theory / C. Causation / 9. General Causation / a. Constant conjunction
Regularity analyses could make c an effect of e, or an epiphenomenon, or inefficacious, or pre-empted [Lewis]
26. Natural Theory / C. Causation / 9. General Causation / c. Counterfactual causation
The counterfactual view says causes are necessary (rather than sufficient) for their effects [Lewis, by Bird]
Lewis has basic causation, counterfactuals, and a general ancestral (thus handling pre-emption) [Lewis, by Bird]
Counterfactual causation implies all laws are causal, which they aren't [Tooley on Lewis]
My counterfactual analysis applies to particular cases, not generalisations [Lewis]
One event causes another iff there is a causal chain from first to second [Lewis]
26. Natural Theory / D. Laws of Nature / 9. Counterfactual Claims
Lewis's account of counterfactuals is fine if we know what a law of nature is, but it won't explain the latter [Cohen,LJ on Lewis]