Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Naturalizing the Mind' and 'Philosophical Studies 1611-19'

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15 ideas

9. Objects / C. Structure of Objects / 2. Hylomorphism / c. Form as causal
In hylomorphism all the explanation of actions is in the form, and the matter doesn't do anything [Bacon]
11. Knowledge Aims / A. Knowledge / 4. Belief / a. Beliefs
Belief is the power of metarepresentation [Dretske]
11. Knowledge Aims / A. Knowledge / 4. Belief / f. Animal beliefs
A mouse hearing a piano played does not believe it, because it lacks concepts and understanding [Dretske]
15. Nature of Minds / A. Nature of Mind / 1. Mind / d. Location of mind
Representations are in the head, but their content is not, as stories don't exist in their books [Dretske]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / d. Purpose of consciousness
Some activities are performed better without consciousness of them [Dretske]
15. Nature of Minds / B. Features of Minds / 5. Qualia / a. Nature of qualia
Qualia are just the properties objects are represented as having [Dretske]
16. Persons / C. Self-Awareness / 1. Introspection
In a representational theory of mind, introspection is displaced perception [Dretske]
Introspection is the same as the experience one is introspecting [Dretske]
Introspection does not involve looking inwards [Dretske]
17. Mind and Body / C. Functionalism / 2. Machine Functionalism
A representational theory of the mind is an externalist theory of the mind [Dretske]
17. Mind and Body / E. Mind as Physical / 3. Eliminativism
All mental facts are representation, which consists of informational functions [Dretske]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / a. Greek matter
Stripped and passive matter is just a human invention [Bacon]