Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'The Limits of Contingency' and 'The Parts of Animals'

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15 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / c. Axiom of Pairing II
Pairing (with Extensionality) guarantees an infinity of sets, just from a single element [Rosen]
9. Objects / A. Existence of Objects / 4. Impossible objects
A Meinongian principle might say that there is an object for any modest class of properties [Rosen]
10. Modality / A. Necessity / 5. Metaphysical Necessity
Metaphysical necessity is absolute and universal; metaphysical possibility is very tolerant [Rosen]
'Metaphysical' modality is the one that makes the necessity or contingency of laws of nature interesting [Rosen]
Sets, universals and aggregates may be metaphysically necessary in one sense, but not another [Rosen]
Standard Metaphysical Necessity: P holds wherever the actual form of the world holds [Rosen]
Non-Standard Metaphysical Necessity: when ¬P is incompatible with the nature of things [Rosen]
10. Modality / A. Necessity / 6. Logical Necessity
Something may be necessary because of logic, but is that therefore a special sort of necessity? [Rosen]
10. Modality / B. Possibility / 3. Combinatorial possibility
Combinatorial theories of possibility assume the principles of combination don't change across worlds [Rosen]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / a. Conceivable as possible
A proposition is 'correctly' conceivable if an ominiscient being could conceive it [Rosen]
15. Nature of Minds / A. Nature of Mind / 8. Brain
The brain has no responsibility for sensations, which occur in the heart [Aristotle]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
26. Natural Theory / D. Laws of Nature / 4. Regularities / b. Best system theory
The MRL view says laws are the theorems of the simplest and strongest account of the world [Rosen]