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All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'De Mundo Praesenti' and 'Reference and Generality (3rd ed)'

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10 ideas

6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / d. Counting via concepts
12154 Are 'word token' and 'word type' different sorts of countable objects, or two ways of counting? [Geach, by Perry]
8. Modes of Existence / C. Powers and Dispositions / 4. Powers as Essence
12714 The substantial form is the principle of action or the primitive force of acting [Leibniz]
9. Objects / A. Existence of Objects / 6. Nihilism about Objects
8969 We should abandon absolute identity, confining it to within some category [Geach, by Hawthorne]
9. Objects / D. Essence of Objects / 1. Essences of Objects
12743 A true being must (unlike a chain) have united parts, with a substantial form as its subject [Leibniz]
9. Objects / F. Identity among Objects / 3. Relative Identity
16075 Denial of absolute identity has drastic implications for logic, semantics and set theory [Wasserman on Geach]
12152 Identity is relative. One must not say things are 'the same', but 'the same A as' [Geach]
9. Objects / F. Identity among Objects / 8. Leibniz's Law
16073 Leibniz's Law is incomplete, since it includes a non-relativized identity predicate [Geach, by Wasserman]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20327 Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20326 Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20330 The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]