Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'In Defense of Absolute Essentialism' and 'Aesthetics'

expand these ideas     |    start again     |     specify just one area for these texts


14 ideas

9. Objects / D. Essence of Objects / 6. Essence as Unifier
A property is essential iff the object would not exist if it lacked that property [Forbes,G]
Properties are trivially essential if they are not grounded in a thing's specific nature [Forbes,G]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
A relation is essential to two items if it holds in every world where they exist [Forbes,G]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / c. Essentials are necessary
Trivially essential properties are existence, self-identity, and de dicto necessities [Forbes,G]
9. Objects / D. Essence of Objects / 9. Essence and Properties
A property is 'extraneously essential' if it is had only because of the properties of other objects [Forbes,G]
9. Objects / D. Essence of Objects / 11. Essence of Artefacts
One might be essentialist about the original bronze from which a statue was made [Forbes,G]
10. Modality / C. Sources of Modality / 4. Necessity from Concepts
The source of de dicto necessity is not concepts, but the actual properties of the thing [Forbes,G]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]