Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Ordinatio' and 'Utilitarianism'

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28 ideas

8. Modes of Existence / B. Properties / 1. Nature of Properties
Accidents must have formal being, if they are principles of real action, and of mental action and thought [Duns Scotus]
8. Modes of Existence / E. Nominalism / 1. Nominalism / a. Nominalism
If only the singular exists, science is impossible, as that relies on true generalities [Duns Scotus, by Panaccio]
If things were singular they would only differ numerically, but horse and tulip differ more than that [Duns Scotus, by Panaccio]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
We distinguish one thing from another by contradiction, because this is, and that is not [Duns Scotus]
9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
The haecceity is the featureless thing which gives ultimate individuality to a substance [Duns Scotus, by Cover/O'Leary-Hawthorne]
9. Objects / B. Unity of Objects / 1. Unifying an Object / b. Unifying aggregates
It is absurd that there is no difference between a genuinely unified thing, and a mere aggregate [Duns Scotus]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
What prevents a stone from being divided into parts which are still the stone? [Duns Scotus]
9. Objects / F. Identity among Objects / 8. Leibniz's Law
Two things are different if something is true of one and not of the other [Duns Scotus]
20. Action / B. Preliminaries of Action / 2. Willed Action / a. Will to Act
The will, in the beginning, is entirely produced by desire [Mill]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / c. Ethical intuitionism
With early training, any absurdity or evil may be given the power of conscience [Mill]
22. Metaethics / C. The Good / 1. Goodness / g. Consequentialism
Motive shows the worth of the agent, but not of the action [Mill]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / c. Motivation for virtue
Virtues only have value because they achieve some further end [Mill]
23. Ethics / D. Deontological Ethics / 2. Duty
Orthodox morality is the only one which feels obligatory [Mill]
23. Ethics / E. Utilitarianism / 1. Utilitarianism
Utilitarianism only works if everybody has a totally equal right to happiness [Mill]
The English believe in the task of annihilating evil for the victory of good [Nietzsche on Mill]
Mill's qualities of pleasure is an admission that there are other good states of mind than pleasure [Ross on Mill]
Actions are right if they promote pleasure, wrong if they promote pain [Mill]
23. Ethics / E. Utilitarianism / 2. Ideal of Pleasure
Ultimate goods such as pleasure can never be proved to be good [Mill]
Only pleasure and freedom from pain are desirable as ends [Mill]
Better to be Socrates dissatisfied than a fool satisfied [Mill]
23. Ethics / E. Utilitarianism / 3. Motivation for Altruism
General happiness is only desirable because individuals desire their own happiness [Mill]
23. Ethics / E. Utilitarianism / 5. Rule Utilitarianism
Moral rules protecting human welfare are more vital than local maxims [Mill]
24. Political Theory / A. Basis of a State / 3. Natural Values / c. Natural rights
Rights are a matter of justice, not of benevolence [Mill]
No individual has the right to receive our benevolence [Mill]
25. Social Practice / C. Rights / 1. Basis of Rights
A right is a valid claim to society's protection [Mill]