Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Supervenience' and 'Explanation and Reference'

expand these ideas     |    start again     |     specify just one area for these texts


17 ideas

5. Theory of Logic / F. Referring in Logic / 1. Naming / a. Names
Using proper names properly doesn't involve necessary and sufficient conditions [Putnam]
7. Existence / C. Structure of Existence / 5. Supervenience / a. Nature of supervenience
Supervenience: No A-difference without a B-difference [Bennett,K]
Supervenience is non-symmetric - sometimes it's symmetric, and sometimes it's one-way [Bennett,K]
7. Existence / C. Structure of Existence / 5. Supervenience / b. Types of supervenience
Weak supervenience is in one world, strong supervenience in all possible worlds [Bennett,K]
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
Aesthetics, morality and mind supervene on the physical? Modal on non-modal? General on particular? [Bennett,K]
Some entailments do not involve supervenience, as when brotherhood entails siblinghood [Bennett,K]
Reduction requires supervenience, but does supervenience suffice for reduction? [Bennett,K]
7. Existence / D. Theories of Reality / 6. Physicalism
Definitions of physicalism are compatible with a necessary God [Bennett,K]
9. Objects / D. Essence of Objects / 5. Essence as Kind
Putnam bases essences on 'same kind', but same kinds may not share properties [Mackie,P on Putnam]
10. Modality / A. Necessity / 6. Logical Necessity
The metaphysically and logically possible worlds are the same, so they are the same strength [Bennett,K]
14. Science / B. Scientific Theories / 2. Aim of Science
Science aims at truth, not at 'simplicity' [Putnam]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
I now think reference by the tests of experts is a special case of being causally connected [Putnam]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
26. Natural Theory / B. Natural Kinds / 5. Reference to Natural Kinds
Natural kind stereotypes are 'strong' (obvious, like tiger) or 'weak' (obscure, like molybdenum) [Putnam]
Express natural kinds as a posteriori predicate connections, not as singular terms [Putnam, by Mackie,P]