Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Essence, Necessity and Explanation' and 'The Epistemology of Modality'

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13 ideas

2. Reason / D. Definition / 4. Real Definition
A successful Aristotelian 'definition' is what sciences produces after an investigation [Koslicki]
2. Reason / D. Definition / 6. Definition by Essence
Essences cause necessary features, and definitions describe those necessary features [Koslicki]
9. Objects / D. Essence of Objects / 1. Essences of Objects
An essence and what merely follow from it are distinct [Koslicki]
9. Objects / D. Essence of Objects / 3. Individual Essences
Individuals are perceived, but demonstration and definition require universals [Koslicki]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / c. Essentials are necessary
If an object exists, then its essential properties are necessary [Koslicki]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / a. Conceivable as possible
How do you know you have conceived a thing deeply enough to assess its possibility? [Vaidya]
14. Science / A. Basis of Science / 2. Demonstration
In demonstration, the explanatory order must mirror the causal order of the phenomena [Koslicki]
In a demonstration the middle term explains, by being part of the definition [Koslicki]
14. Science / D. Explanation / 2. Types of Explanation / g. Causal explanations
Greek uses the same word for 'cause' and 'explanation' [Koslicki]
14. Science / D. Explanation / 2. Types of Explanation / k. Explanations by essence
Discovering the Aristotelian essence of thunder will tell us why thunder occurs [Koslicki]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]