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All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'In Defense of Essentialism' and 'Pacidius Philalethi dialogue'

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13 ideas

9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
'Substance theorists' take modal properties as primitive, without structure, just falling under a sortal [Paul,LA]
If an object's sort determines its properties, we need to ask what determines its sort [Paul,LA]
Substance essentialism says an object is multiple, as falling under various different sortals [Paul,LA]
9. Objects / C. Structure of Objects / 8. Parts of Objects / a. Parts of objects
Indivisibles are not parts, but the extrema of parts [Leibniz]
9. Objects / C. Structure of Objects / 8. Parts of Objects / b. Sums of parts
Absolutely unrestricted qualitative composition would allow things with incompatible properties [Paul,LA]
9. Objects / D. Essence of Objects / 2. Types of Essence
Deep essentialist objects have intrinsic properties that fix their nature; the shallow version makes it contextual [Paul,LA]
9. Objects / D. Essence of Objects / 6. Essence as Unifier
Deep essentialists say essences constrain how things could change; modal profiles fix natures [Paul,LA]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Essentialism must deal with charges of arbitrariness, and failure to reduce de re modality [Paul,LA]
An object's modal properties don't determine its possibilities [Paul,LA]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
'Modal realists' believe in many concrete worlds, 'actualists' in just this world, 'ersatzists' in abstract other worlds [Paul,LA]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]