20 ideas
8893 | For any given area, there seem to be a huge number of possible coherent systems of beliefs [Bonjour] |
15787 | Maybe Ockham's Razor is a purely aesthetic principle [Lycan] |
15784 | The Razor seems irrelevant for Meinongians, who allow absolutely everything to exist [Lycan] |
15792 | Maybe non-existent objects are sets of properties [Lycan] |
15795 | Treating possible worlds as mental needs more actual mental events [Lycan] |
15796 | Possible worlds must be made of intensional objects like propositions or properties [Lycan] |
15794 | If 'worlds' are sentences, and possibility their consistency, consistency may rely on possibility [Lycan] |
8888 | The concept of knowledge is so confused that it is best avoided [Bonjour] |
8887 | It is hard to give the concept of 'self-evident' a clear and defensible characterization [Bonjour] |
8897 | The adverbial account will still be needed when a mind apprehends its sense-data [Bonjour] |
8896 | Conscious states have built-in awareness of content, so we know if a conceptual description of it is correct [Bonjour] |
8891 | My incoherent beliefs about art should not undermine my very coherent beliefs about physics [Bonjour] |
8892 | Coherence seems to justify empirical beliefs about externals when there is no external input [Bonjour] |
8894 | Coherentists must give a reason why coherent justification is likely to lead to the truth [Bonjour] |
8889 | Reliabilists disagree over whether some further requirement is needed to produce knowledge [Bonjour] |
8890 | If the reliable facts producing a belief are unknown to me, my belief is not rational or responsible [Bonjour] |
8895 | If neither the first-level nor the second-level is itself conscious, there seems to be no consciousness present [Bonjour] |
20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |