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All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Truth-making and Correspondence' and 'Philosophical Fragments'

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17 ideas

3. Truth / A. Truth Problems / 2. Defining Truth
If truths are just identical with facts, then truths will make themselves true [David]
3. Truth / B. Truthmakers / 2. Truthmaker Relation
Examples show that truth-making is just non-symmetric, not asymmetric [David]
3. Truth / B. Truthmakers / 4. Truthmaker Necessitarianism
It is assumed that a proposition is necessarily true if its truth-maker exists [David]
3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
Two different propositions can have the same fact as truth-maker [David]
3. Truth / B. Truthmakers / 5. What Makes Truths / b. Objects make truths
What matters is truth-making (not truth-makers) [David]
3. Truth / B. Truthmakers / 11. Truthmaking and Correspondence
Correspondence is symmetric, while truth-making is taken to be asymmetric [David]
Correspondence is an over-ambitious attempt to explain truth-making [David]
Correspondence theorists see facts as the only truth-makers [David]
3. Truth / C. Correspondence Truth / 1. Correspondence Truth
Correspondence theory likes ideal languages, that reveal the structure of propositions [David]
3. Truth / C. Correspondence Truth / 2. Correspondence to Facts
What makes a disjunction true is simpler than the disjunctive fact it names [David]
One proposition can be made true by many different facts [David]
7. Existence / A. Nature of Existence / 5. Reason for Existence
I assume existence, rather than reasoning towards it [Kierkegaard]
8. Modes of Existence / A. Relations / 4. Formal Relations / a. Types of relation
A reflexive relation entails that the relation can't be asymmetric [David]
10. Modality / A. Necessity / 2. Nature of Necessity
Nothing necessary can come into existence, since it already 'is' [Kierkegaard]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]