17 ideas
| 10838 | To explain a concept, we need its purpose, not just its rules of usage [Dummett] |
| 10837 | It is part of the concept of truth that we aim at making true statements [Dummett] |
| 10840 | We must be able to specify truths in a precise language, like winning moves in a game [Dummett] |
| 19171 | Tarski's truth is like rules for winning games, without saying what 'winning' means [Dummett, by Davidson] |
| 13010 | In order to select the logic justified by experience, we would need to use a lot of logic [Boghossian on Quine] |
| 9002 | Elementary logic requires truth-functions, quantifiers (and variables), identity, and also sets of variables [Quine] |
| 13681 | Logical consequence is marked by being preserved under all nonlogical substitutions [Quine, by Sider] |
| 13829 | If logical truths essentially depend on logical constants, we had better define the latter [Hacking on Quine] |
| 9003 | Set theory was struggling with higher infinities, when new paradoxes made it baffling [Quine] |
| 9004 | If set theory is not actually a branch of logic, then Frege's derivation of arithmetic would not be from logic [Quine] |
| 9006 | Commitment to universals is as arbitrary or pragmatic as the adoption of a new system of bookkeeping [Quine] |
| 9001 | Frege moved Kant's question about a priori synthetic to 'how is logical certainty possible?' [Quine] |
| 9005 | Examination of convention in the a priori begins to blur the distinction with empirical knowledge [Quine] |
| 10839 | You can't infer a dog's abstract concepts from its behaviour [Dummett] |
| 20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
| 20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
| 20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |