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All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'works' and 'Grounding, Transitivity and Contrastivity'

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9 ideas

1. Philosophy / G. Scientific Philosophy / 3. Scientism
7081 Philosophy is not separate from or above empirical science [Neurath]
7. Existence / C. Structure of Existence / 1. Grounding / a. Nature of grounding
17304 As causation links across time, grounding links the world across levels [Schaffer,J]
17306 If ground is transitive and irreflexive, it has a strict partial ordering, giving structure [Schaffer,J]
14. Science / D. Explanation / 2. Types of Explanation / b. Contrastive explanations
17308 Explaining 'Adam ate the apple' depends on emphasis, and thus implies a contrast [Schaffer,J]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20327 Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20326 Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20330 The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
26. Natural Theory / A. Speculations on Nature / 1. Nature
17305 I take what is fundamental to be the whole spatiotemporal manifold and its fields [Schaffer,J]
26. Natural Theory / C. Causation / 1. Causation
17307 Nowadays causation is usually understood in terms of equations and variable ranges [Schaffer,J]