Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Lewis's Programme' and 'Mind and Its Place in Nature'

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6 ideas

10. Modality / B. Possibility / 9. Counterfactuals
Problems with Goodman's view of counterfactuals led to a radical approach from Stalnaker and Lewis [Horwich]
12. Knowledge Sources / B. Perception / 6. Inference in Perception
Broad rejects the inferential component of the representative theory [Broad, by Maund]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
26. Natural Theory / C. Causation / 9. General Causation / c. Counterfactual causation
Analyse counterfactuals using causation, not the other way around [Horwich]