Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'The Art of the Infinite' and 'Letters to Jourdain'

expand these ideas     |    start again     |     specify just one area for these texts


13 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / j. Axiom of Choice IX
Using Choice, you can cut up a small ball and make an enormous one from the pieces [Kaplan/Kaplan]
5. Theory of Logic / F. Referring in Logic / 1. Naming / a. Names
In 'Etna is higher than Vesuvius' the whole of Etna, including all the lava, can't be the reference [Frege]
5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
Any object can have many different names, each with a distinct sense [Frege]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / b. Types of number
1 and 0, then add for naturals, subtract for negatives, divide for rationals, take roots for irrationals [Kaplan/Kaplan]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / g. Real numbers
The rationals are everywhere - the irrationals are everywhere else [Kaplan/Kaplan]
6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / f. Arithmetic
'Commutative' laws say order makes no difference; 'associative' laws say groupings make no difference [Kaplan/Kaplan]
'Distributive' laws say if you add then multiply, or multiply then add, you get the same result [Kaplan/Kaplan]
14. Science / C. Induction / 3. Limits of Induction
The first million numbers confirm that no number is greater than a million [Kaplan/Kaplan]
19. Language / A. Nature of Meaning / 7. Meaning Holism / a. Sentence meaning
We understand new propositions by constructing their sense from the words [Frege]
19. Language / B. Reference / 4. Descriptive Reference / a. Sense and reference
Senses can't be subjective, because propositions would be private, and disagreement impossible [Frege]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]