Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Primitive Thisness and Primitive Identity' and 'Remarks on the forces of inorganic Nature'

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16 ideas

9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
A 'thisness' is a thing's property of being identical with itself (not the possession of self-identity) [Adams,RM]
There are cases where mere qualities would not ensure an intrinsic identity [Adams,RM]
9. Objects / D. Essence of Objects / 9. Essence and Properties
Essences are taken to be qualitative properties [Adams,RM]
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
If the universe was cyclical, totally indiscernible events might occur from time to time [Adams,RM]
Two events might be indiscernible yet distinct, if there was a universe cyclical in time [Adams,RM]
Black's two globes might be one globe in highly curved space [Adams,RM]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
Are possible worlds just qualities, or do they include primitive identities as well? [Adams,RM]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / b. Worlds as fictions
Possible worlds are world-stories, maximal descriptions of whole non-existent worlds [Adams,RM, by Molnar]
10. Modality / E. Possible worlds / 3. Transworld Objects / d. Haecceitism
Adams says anti-haecceitism reduces all thisness to suchness [Adams,RM, by Stalnaker]
Haecceitism may or may not involve some logical connection to essence [Adams,RM, by Mackie,P]
Moderate Haecceitism says transworld identities are primitive, but connected to qualities [Adams,RM]
19. Language / B. Reference / 3. Direct Reference / a. Direct reference
Direct reference is by proper names, or indexicals, or referential uses of descriptions [Adams,RM]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
27. Natural Reality / A. Classical Physics / 1. Mechanics / d. Gravity
Gravity isn't a force, because it produces effects without diminishing [Mayer]