Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Varieties of Meaning' and 'Towards a Critique of Hegel's Philosophy'

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11 ideas

1. Philosophy / C. History of Philosophy / 1. History of Philosophy
All philosophies presuppose their historical moment, and arise from it [Feuerbach]
1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / a. Philosophy as worldly
I don't study Plato for his own sake; the primary aim is always understanding [Feuerbach]
2. Reason / C. Styles of Reason / 1. Dialectic
Each proposition has an antithesis, and truth exists as its refutation [Feuerbach]
A dialectician has to be his own opponent [Feuerbach]
3. Truth / A. Truth Problems / 3. Value of Truth
Truth forges an impersonal unity between people [Feuerbach]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / e. Ontological commitment problems
To our consciousness it is language which looks unreal [Feuerbach]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
The Absolute is the 'and' which unites 'spirit and nature' [Feuerbach]
18. Thought / C. Content / 11. Teleological Semantics
Biosemantics says content is useful mapping from a producer to a consumer system [Millikan, by Schulte]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]