9 ideas
| 8920 | Equivalence relations are reflexive, symmetric and transitive, and classify similar objects [Lipschutz] |
| 7746 | We don't normally think of names as having senses (e.g. we don't give definitions of them) [Searle] |
| 7747 | How can a proper name be correlated with its object if it hasn't got a sense? [Searle] |
| 7748 | 'Aristotle' means more than just 'an object that was christened "Aristotle"' [Searle] |
| 7749 | Reference for proper names presupposes a set of uniquely referring descriptions [Searle] |
| 7750 | Proper names are logically connected with their characteristics, in a loose way [Searle] |
| 20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
| 20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
| 20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |