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All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'works' and ''Ostrich Nominalism' or 'Mirage Realism'?'

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10 ideas

8. Modes of Existence / D. Universals / 1. Universals
Realism doesn't explain 'a is F' any further by saying it is 'a has F-ness' [Devitt]
8. Modes of Existence / E. Nominalism / 1. Nominalism / b. Nominalism about universals
The particular/universal distinction is unhelpful clutter; we should accept 'a is F' as basic [Devitt]
8. Modes of Existence / E. Nominalism / 1. Nominalism / c. Nominalism about abstracta
Quineans take predication about objects as basic, not reference to properties they may have [Devitt]
15. Nature of Minds / B. Features of Minds / 2. Unconscious Mind
Freud treats the unconscious as intentional and hence mental [Freud, by Searle]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Freud and others have shown that we don't know our own beliefs, feelings, motive and attitudes [Freud, by Shoemaker]
18. Thought / A. Modes of Thought / 3. Emotions / a. Nature of emotions
Freud said passions are pressures of some flowing hydraulic quantity [Freud, by Solomon]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
Freud is pessimistic about human nature; it is ambivalent motive and fantasy, rather than reason [Freud, by Murdoch]