Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Inexpressible Properties and Propositions' and 'Attitudes De Dicto and De Se'

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12 ideas

3. Truth / H. Deflationary Truth / 3. Minimalist Truth
Instances of minimal truth miss out propositions inexpressible in current English [Hofweber]
5. Theory of Logic / G. Quantification / 4. Substitutional Quantification
Quantification can't all be substitutional; some reference is obviously to objects [Hofweber]
8. Modes of Existence / B. Properties / 1. Nature of Properties
Since properties have properties, there can be a typed or a type-free theory of them [Hofweber]
10. Modality / E. Possible worlds / 1. Possible Worlds / d. Possible worlds actualism
The actual world is just the world you are in [Lewis, by Cappelen/Dever]
11. Knowledge Aims / A. Knowledge / 4. Belief / a. Beliefs
A content is a property, and believing it is self-ascribing that property [Lewis, by Recanati]
18. Thought / A. Modes of Thought / 2. Propositional Attitudes
Attitudes involve properties (not propositions), and belief is self-ascribing the properties [Lewis, by Solomon]
18. Thought / A. Modes of Thought / 9. Indexical Thought
Lewis's popular centred worlds approach gives an attitude an index of world, subject and time [Lewis, by Recanati]
19. Language / A. Nature of Meaning / 4. Meaning as Truth-Conditions
A theory of perspectival de se content gives truth conditions relative to an agent [Lewis, by Cappelen/Dever]
19. Language / F. Communication / 6. Interpreting Language / a. Translation
Holism says language can't be translated; the expressibility hypothesis says everything can [Hofweber]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]