Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Essays on Intellectual Powers 6: Judgement' and 'Frege on Extensions from Concepts'

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15 ideas

1. Philosophy / F. Analytic Philosophy / 5. Linguistic Analysis
The existence of tensed verbs shows that not all truths are necessary truths [Reid]
2. Reason / F. Fallacies / 7. Ad Hominem
An ad hominem argument is good, if it is shown that the man's principles are inconsistent [Reid]
11. Knowledge Aims / B. Certain Knowledge / 4. The Cogito
If someone denies that he is thinking when he is conscious of it, we can only laugh [Reid]
11. Knowledge Aims / C. Knowing Reality / 1. Perceptual Realism / b. Direct realism
The existence of ideas is no more obvious than the existence of external objects [Reid]
11. Knowledge Aims / C. Knowing Reality / 4. Solipsism
We are only aware of other beings through our senses; without that, we are alone in the universe [Reid]
12. Knowledge Sources / E. Direct Knowledge / 1. Common Sense
In obscure matters the few must lead the many, but the many usually lead in common sense [Reid]
12. Knowledge Sources / E. Direct Knowledge / 4. Memory
The theory of ideas, popular with philosophers, means past existence has to be proved [Reid]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / a. Consciousness
Consciousness is an indefinable and unique operation [Reid]
18. Thought / A. Modes of Thought / 8. Human Thought
The structure of languages reveals a uniformity in basic human opinions [Reid]
18. Thought / C. Content / 1. Content
Are meaning and expressed concept the same thing? [Burge, by Segal]
18. Thought / E. Abstraction / 2. Abstracta by Selection
If you can't distinguish the features of a complex object, your notion of it would be a muddle [Reid]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
There are axioms of taste - such as a general consensus about a beautiful face [Reid]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]