Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Plato on Parts and Wholes' and 'Nietzsche, Genealogy, History'

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11 ideas

2. Reason / F. Fallacies / 7. Ad Hominem
An ad hominem refutation is reasonable, if it uses the opponent's assumptions [Harte,V]
4. Formal Logic / G. Formal Mereology / 1. Mereology
Mereology began as a nominalist revolt against the commitments of set theory [Harte,V]
7. Existence / B. Change in Existence / 1. Nature of Change
Traditionally, the four elements are just what persists through change [Harte,V]
9. Objects / C. Structure of Objects / 6. Constitution of an Object
Mereology treats constitution as a criterion of identity, as shown in the axiom of extensionality [Harte,V]
9. Objects / C. Structure of Objects / 8. Parts of Objects / b. Sums of parts
What exactly is a 'sum', and what exactly is 'composition'? [Harte,V]
If something is 'more than' the sum of its parts, is the extra thing another part, or not? [Harte,V]
The problem with the term 'sum' is that it is singular [Harte,V]
18. Thought / A. Modes of Thought / 3. Emotions / a. Nature of emotions
Feelings are not unchanging, but have a history (especially if they are noble) [Foucault]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]