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All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Ancient Thought in Modern Physics' and 'Logical Necessity: Some Issues'

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14 ideas

10. Modality / A. Necessity / 6. Logical Necessity
Logical necessity overrules all other necessities [McFetridge]
The fundamental case of logical necessity is the valid conclusion of an inference [McFetridge, by Hale]
In the McFetridge view, logical necessity means a consequent must be true if the antecedent is [McFetridge, by Hale]
Logical necessity requires that a valid argument be necessary [McFetridge]
Traditionally, logical necessity is the strongest, and entails any other necessities [McFetridge]
It is only logical necessity if there is absolutely no sense in which it could be false [McFetridge]
The mark of logical necessity is deduction from any suppositions whatever [McFetridge]
10. Modality / B. Possibility / 2. Epistemic possibility
We assert epistemic possibility without commitment to logical possibility [McFetridge]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
Objectual modal realists believe in possible worlds; non-objectual ones rest it on the actual world [McFetridge]
10. Modality / C. Sources of Modality / 5. Modality from Actuality
Modal realists hold that necessities and possibilities are part of the totality of facts [McFetridge]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
You can only explain the qualities of large objects using entities which lack those qualities [Heisenberg]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]