Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'First-Order Logic' and 'Being and Nothingness'

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22 ideas

5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
Logic is the study of sound argument, or of certain artificial languages (or applying the latter to the former) [Hodges,W]
5. Theory of Logic / I. Semantics of Logic / 1. Semantics of Logic
A formula needs an 'interpretation' of its constants, and a 'valuation' of its variables [Hodges,W]
There are three different standard presentations of semantics [Hodges,W]
I |= φ means that the formula φ is true in the interpretation I [Hodges,W]
5. Theory of Logic / J. Model Theory in Logic / 3. Löwenheim-Skolem Theorems
Down Löwenheim-Skolem: if a countable language has a consistent theory, that has a countable model [Hodges,W]
Up Löwenheim-Skolem: if infinite models, then arbitrarily large models [Hodges,W]
5. Theory of Logic / K. Features of Logics / 6. Compactness
If a first-order theory entails a sentence, there is a finite subset of the theory which entails it [Hodges,W]
6. Mathematics / B. Foundations for Mathematics / 6. Mathematics as Set Theory / a. Mathematics is set theory
A 'set' is a mathematically well-behaved class [Hodges,W]
7. Existence / A. Nature of Existence / 3. Being / h. Dasein (being human)
For Sartre there is only being for-itself, or being in-itself (which is beyond experience) [Sartre, by Daigle]
11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism
Appearances do not hide the essence; appearances are the essence [Sartre]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / b. Essence of consciousness
Sartre says consciousness is just directedness towards external objects [Sartre, by Rowlands]
18. Thought / C. Content / 1. Content
Sartre rejects mental content, and the idea that the mind has hidden inner features [Sartre, by Rowlands]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
Man is a useless passion [Sartre]
Man is the desire to be God [Sartre]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Sartre's freedom is not for whimsical action, but taking responsibility for our own values [Sartre, by Daigle]
22. Metaethics / B. Value / 2. Values / g. Love
Love is the demand to be loved [Sartre]
23. Ethics / F. Existentialism / 3. Angst
Fear concerns the world, but 'anguish' comes from confronting my self [Sartre]
23. Ethics / F. Existentialism / 6. Authentic Self
Sincerity is not authenticity, because it only commits to one particular identity [Sartre, by Aho]
We flee from the anguish of freedom by seeing ourselves objectively, as determined [Sartre]