Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Existence and Quantification' and 'Universals'

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27 ideas

4. Formal Logic / D. Modal Logic ML / 1. Modal Logic
Quine says quantified modal logic creates nonsense, bad ontology, and false essentialism [Melia on Quine]
5. Theory of Logic / A. Overview of Logic / 7. Second-Order Logic
Various strategies try to deal with the ontological commitments of second-order logic [Hale/Wright on Quine]
7. Existence / A. Nature of Existence / 3. Being / b. Being and existence
Philosophers tend to distinguish broad 'being' from narrower 'existence' - but I reject that [Quine]
7. Existence / A. Nature of Existence / 6. Criterion for Existence
All we have of general existence is what existential quantifiers express [Quine]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / b. Commitment of quantifiers
Existence is implied by the quantifiers, not by the constants [Quine]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / c. Commitment of predicates
Theories are committed to objects of which some of its predicates must be true [Quine]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / d. Commitment of theories
Express a theory in first-order predicate logic; its ontology is the types of bound variable needed for truth [Quine, by Lowe]
Ontological commitment of theories only arise if they are classically quantified [Quine]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / e. Ontological commitment problems
You can be implicitly committed to something without quantifying over it [Thomasson on Quine]
7. Existence / E. Categories / 1. Categories
In formal terms, a category is the range of some style of variables [Quine]
8. Modes of Existence / B. Properties / 13. Tropes / a. Nature of tropes
One moderate nominalist view says that properties and relations exist, but they are particulars [Armstrong]
8. Modes of Existence / B. Properties / 13. Tropes / b. Critique of tropes
If properties and relations are particulars, there is still the problem of how to classify and group them [Armstrong]
8. Modes of Existence / D. Universals / 1. Universals
Should we decide which universals exist a priori (through words), or a posteriori (through science)? [Armstrong]
8. Modes of Existence / D. Universals / 4. Uninstantiated Universals
It is claimed that some universals are not exemplified by any particular, so must exist separately [Armstrong]
8. Modes of Existence / E. Nominalism / 2. Resemblance Nominalism
'Resemblance Nominalism' finds that in practice the construction of resemblance classes is hard [Armstrong]
'Resemblance Nominalism' says properties are resemblances between classes of particulars [Armstrong]
8. Modes of Existence / E. Nominalism / 3. Predicate Nominalism
'Predicate Nominalism' says that a 'universal' property is just a predicate applied to lots of things [Armstrong]
8. Modes of Existence / E. Nominalism / 4. Concept Nominalism
Concept and predicate nominalism miss out some predicates, and may be viciously regressive [Armstrong]
'Concept Nominalism' says a 'universal' property is just a mental concept applied to lots of things [Armstrong]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
'Class Nominalism' may explain properties if we stick to 'natural' sets, and ignore random ones [Armstrong]
'Class Nominalism' says that properties or kinds are merely membership of a set (e.g. of white things) [Armstrong]
'Class Nominalism' cannot explain co-extensive properties, or sets with random members [Armstrong]
8. Modes of Existence / E. Nominalism / 6. Mereological Nominalism
'Mereological Nominalism' sees whiteness as a huge white object consisting of all the white things [Armstrong]
'Mereological Nominalism' may work for whiteness, but it doesn't seem to work for squareness [Armstrong]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]