Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Ordinatio' and 'Critique of Judgement II: Teleological'

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9 ideas

8. Modes of Existence / E. Nominalism / 1. Nominalism / b. Nominalism about universals
A universal is not a real feature of objects, but only a thought-object in the mind [William of Ockham]
18. Thought / E. Abstraction / 2. Abstracta by Selection
A universal is the result of abstraction, which is only a kind of mental picturing [William of Ockham]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
22. Metaethics / B. Value / 1. Nature of Value / f. Ultimate value
What is contemplated must have a higher value than contemplation [Kant, by Korsgaard]
Only a good will can give man's being, and hence the world, a final purpose [Kant]
26. Natural Theory / A. Speculations on Nature / 1. Nature
The Critique of Judgement aims for a principle that unities humanity and nature [Kant, by Bowie]
26. Natural Theory / A. Speculations on Nature / 2. Natural Purpose / b. Limited purposes
Without men creation would be in vain, and without final purpose [Kant]