Combining Texts

All the ideas for 'Externalist Theories of Empirical Knowledge', 'Notebooks 1914-1916' and 'Art'

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34 ideas

1. Philosophy / F. Analytic Philosophy / 5. Linguistic Analysis
Analysis complicates a statement, but only as far as the complexity of its meaning [Wittgenstein]
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
We can dispense with self-evidence, if language itself prevents logical mistakes [Jeshion on Wittgenstein]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
A statement's logical form derives entirely from its constituents [Wittgenstein]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
'And' and 'not' are non-referring terms, which do not represent anything [Wittgenstein, by Fogelin]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / e. The Lottery paradox
The Lottery Paradox says each ticket is likely to lose, so there probably won't be a winner [Bonjour, by PG]
7. Existence / C. Structure of Existence / 6. Fundamentals / d. Logical atoms
The sense of propositions relies on the world's basic logical structure [Wittgenstein]
12. Knowledge Sources / A. A Priori Knowledge / 5. A Priori Synthetic
My main problem is the order of the world, and whether it is knowable a priori [Wittgenstein]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / a. Foundationalism
Externalist theories of knowledge are one species of foundationalism [Bonjour]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / b. Basic beliefs
The big problem for foundationalism is to explain how basic beliefs are possible [Bonjour]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / e. Pro-foundations
The main argument for foundationalism is that all other theories involve a regress leading to scepticism [Bonjour]
13. Knowledge Criteria / C. External Justification / 1. External Justification
Extreme externalism says no more justification is required than the truth of the belief [Bonjour]
13. Knowledge Criteria / C. External Justification / 3. Reliabilism / b. Anti-reliabilism
External reliability is not enough, if the internal state of the believer is known to be irrational [Bonjour]
13. Knowledge Criteria / C. External Justification / 10. Anti External Justification
Even if there is no obvious irrationality, it may be irrational to base knowledge entirely on external criteria [Bonjour]
16. Persons / B. Nature of the Self / 4. Presupposition of Self
The philosophical I is the metaphysical subject, the limit - not a part of the world [Wittgenstein]
19. Language / A. Nature of Meaning / 2. Meaning as Mental
Propositions assemble a world experimentally, like the model of a road accident [Wittgenstein]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
25. Social Practice / F. Life Issues / 4. Suicide
Absolute prohibitions are the essence of ethics, and suicide is the most obvious example [Wittgenstein]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]