Combining Texts

All the ideas for 'What is Art?', 'The Metaontology of Abstraction' and 'Parthood and Identity across Time'

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18 ideas

2. Reason / F. Fallacies / 1. Fallacy
It is a fallacy to explain the obscure with the even more obscure [Hale/Wright]
5. Theory of Logic / F. Referring in Logic / 1. Naming / d. Singular terms
Singular terms refer if they make certain atomic statements true [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / c. Neo-logicism
Neo-Fregeanism might be better with truth-makers, rather than quantifier commitment [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / d. Logicism critique
Are neo-Fregeans 'maximalists' - that everything which can exist does exist? [Hale/Wright]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
The identity of Pegasus with Pegasus may be true, despite the non-existence [Hale/Wright]
8. Modes of Existence / B. Properties / 3. Types of Properties
Maybe we have abundant properties for semantics, and sparse properties for ontology [Hale/Wright]
8. Modes of Existence / B. Properties / 10. Properties as Predicates
A successful predicate guarantees the existence of a property - the way of being it expresses [Hale/Wright]
9. Objects / E. Objects over Time / 5. Temporal Parts
Temporal parts is a crazy doctrine, because it entails constantly creating stuff ex nihilo [Thomson, by Koslicki]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
Abstractionism needs existential commitment and uniform truth-conditions [Hale/Wright]
Equivalence abstraction refers to objects otherwise beyond our grasp [Hale/Wright]
19. Language / B. Reference / 4. Descriptive Reference / a. Sense and reference
Reference needs truth as well as sense [Hale/Wright]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
True works of art transmit completely new feelings [Tolstoy]
Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
The highest feelings of mankind can only be transmitted by art [Tolstoy]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
People estimate art according to their moral values [Tolstoy]
The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]
We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]