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All the ideas for 'What is Art?', 'Grundlagen (Foundations of Theory of Manifolds)' and 'Logicism in the 21st Century'

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14 ideas

4. Formal Logic / F. Set Theory ST / 1. Set Theory
Cantor developed sets from a progression into infinity by addition, multiplication and exponentiation [Cantor, by Lavine]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / e. Ordinal numbers
Ordinals are generated by endless succession, followed by a limit ordinal [Cantor, by Lavine]
6. Mathematics / B. Foundations for Mathematics / 5. Definitions of Number / d. Hume's Principle
Neo-logicism founds arithmetic on Hume's Principle along with second-order logic [Hale/Wright]
6. Mathematics / B. Foundations for Mathematics / 5. Definitions of Number / e. Caesar problem
The Julius Caesar problem asks for a criterion for the concept of a 'number' [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / a. Early logicism
Logicism is only noteworthy if logic has a privileged position in our ontology and epistemology [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / c. Neo-logicism
Logicism might also be revived with a quantificational approach, or an abstraction-free approach [Hale/Wright]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
One first-order abstraction principle is Frege's definition of 'direction' in terms of parallel lines [Hale/Wright]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The highest feelings of mankind can only be transmitted by art [Tolstoy]
Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
True works of art transmit completely new feelings [Tolstoy]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
People estimate art according to their moral values [Tolstoy]
We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]
The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]