Combining Texts

All the ideas for 'What is Art?', 'Introduction to 'Personal Identity'' and 'Lewis's Programme'

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13 ideas

10. Modality / B. Possibility / 9. Counterfactuals
Problems with Goodman's view of counterfactuals led to a radical approach from Stalnaker and Lewis [Horwich]
16. Persons / D. Continuity of the Self / 2. Mental Continuity / b. Self as mental continuity
Maybe we should see persons in four dimensions, with stages or time-slices at an instant [Martin/Barresi]
Maybe personal identity is not vital in survival, and other continuations would suffice [Martin/Barresi]
16. Persons / E. Rejecting the Self / 2. Self as Social Construct
Locke's intrinsic view of personal identity has been replaced by an externalist view [Martin/Barresi]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
True works of art transmit completely new feelings [Tolstoy]
Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
The highest feelings of mankind can only be transmitted by art [Tolstoy]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
People estimate art according to their moral values [Tolstoy]
The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]
We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]
26. Natural Theory / C. Causation / 9. General Causation / c. Counterfactual causation
Analyse counterfactuals using causation, not the other way around [Horwich]
29. Religion / D. Religious Issues / 2. Immortality / a. Immortality
For Aristotle the psyche perishes with the body (except possibly 'nous') [Martin/Barresi]