Combining Texts

All the ideas for 'Through the Looking Glass', 'The Structure of Paradoxes of Self-Reference' and 'Art'

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27 ideas

5. Theory of Logic / L. Paradox / 1. Paradox
Typically, paradoxes are dealt with by dividing them into two groups, but the division is wrong [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / b. König's paradox
The 'least indefinable ordinal' is defined by that very phrase [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / c. Berry's paradox
'x is a natural number definable in less than 19 words' leads to contradiction [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / d. Richard's paradox
By diagonalization we can define a real number that isn't in the definable set of reals [Priest,G]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / c. Burali-Forti's paradox
The least ordinal greater than the set of all ordinals is both one of them and not one of them [Priest,G]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / e. Mirimanoff's paradox
The next set up in the hierarchy of sets seems to be both a member and not a member of it [Priest,G]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
If you know that a sentence is not one of the known sentences, you know its truth [Priest,G]
There are Liar Pairs, and Liar Chains, which fit the same pattern as the basic Liar [Priest,G]
7. Existence / A. Nature of Existence / 3. Being / e. Being and nothing
I only wish I had such eyes as to see Nobody! It's as much as I can do to see real people. [Carroll,L]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]