Combining Texts

All the ideas for 'Through the Looking Glass', 'Words without Objects' and 'An Essay in Aesthetics'

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22 ideas

5. Theory of Logic / E. Structures of Logic / 4. Variables in Logic
If plural variables have 'some values', then non-count variables have 'some value' [Laycock]
5. Theory of Logic / G. Quantification / 6. Plural Quantification
Plurals are semantical but not ontological [Laycock]
6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / c. Counting procedure
Some non-count nouns can be used for counting, as in 'several wines' or 'fewer cheeses' [Laycock]
Some apparent non-count words can take plural forms, such as 'snows' or 'waters' [Laycock]
7. Existence / A. Nature of Existence / 3. Being / e. Being and nothing
I only wish I had such eyes as to see Nobody! It's as much as I can do to see real people. [Carroll,L]
7. Existence / C. Structure of Existence / 8. Stuff / a. Pure stuff
The category of stuff does not suit reference [Laycock]
Descriptions of stuff are neither singular aggregates nor plural collections [Laycock]
7. Existence / C. Structure of Existence / 8. Stuff / b. Mixtures
We shouldn't think some water retains its identity when it is mixed with air [Laycock]
9. Objects / C. Structure of Objects / 8. Parts of Objects / a. Parts of objects
Parts must be of the same very general type as the wholes [Laycock]
15. Nature of Minds / C. Capacities of Minds / 5. Generalisation by mind
'Humility is a virtue' has an abstract noun, but 'water is a liquid' has a generic concrete noun [Laycock]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
19. Language / B. Reference / 1. Reference theories
It is said that proper reference is our intellectual link with the world [Laycock]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]