Combining Texts

All the ideas for 'Through the Looking Glass', 'Public Text and Common Reader' and 'Significance of the Kripkean Nec A Posteriori'

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12 ideas

1. Philosophy / C. History of Philosophy / 5. Modern Philosophy / c. Modern philosophy mid-period
13966 Analytic philosophy loved the necessary a priori analytic, linguistic modality, and rigour [Soames]
1. Philosophy / F. Analytic Philosophy / 5. Linguistic Analysis
13974 If philosophy is analysis of meaning, available to all competent speakers, what's left for philosophers? [Soames]
7. Existence / A. Nature of Existence / 3. Being / e. Being and nothing
21982 I only wish I had such eyes as to see Nobody! It's as much as I can do to see real people. [Carroll,L]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
13969 Kripkean essential properties and relations are necessary, in all genuinely possible worlds [Soames]
10. Modality / C. Sources of Modality / 3. Necessity by Convention
13973 A key achievement of Kripke is showing that important modalities are not linguistic in source [Soames]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
13968 Kripkean possible worlds are abstract maximal states in which the real world could have been [Soames]
19. Language / C. Assigning Meanings / 10. Two-Dimensional Semantics
13972 Two-dimensionalism reinstates descriptivism, and reconnects necessity and apriority to analyticity [Soames]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
12163 Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
21. Aesthetics / B. Nature of Art / 5. Art as Language
12162 In literature, word replacement changes literary meaning [Scruton]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
12159 Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
12160 In aesthetic interest, even what is true is treated as though it were not [Scruton]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
12161 We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]