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All the ideas for 'Notebooks 1914-1916', 'The Semantic Conception of Truth' and 'Art'

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51 ideas

1. Philosophy / E. Nature of Metaphysics / 5. Metaphysics beyond Science
Some say metaphysics is a highly generalised empirical study of objects [Tarski]
1. Philosophy / F. Analytic Philosophy / 1. Nature of Analysis
Disputes that fail to use precise scientific terminology are all meaningless [Tarski]
1. Philosophy / F. Analytic Philosophy / 5. Linguistic Analysis
Analysis complicates a statement, but only as far as the complexity of its meaning [Wittgenstein]
2. Reason / D. Definition / 1. Definitions
For a definition we need the words or concepts used, the rules, and the structure of the language [Tarski]
3. Truth / A. Truth Problems / 2. Defining Truth
Definitions of truth should not introduce a new version of the concept, but capture the old one [Tarski]
A definition of truth should be materially adequate and formally correct [Tarski]
A rigorous definition of truth is only possible in an exactly specified language [Tarski]
We may eventually need to split the word 'true' into several less ambiguous terms [Tarski]
3. Truth / F. Semantic Truth / 1. Tarski's Truth / a. Tarski's truth definition
Scheme (T) is not a definition of truth [Tarski]
It is convenient to attach 'true' to sentences, and hence the language must be specified [Tarski]
In the classical concept of truth, 'snow is white' is true if snow is white [Tarski]
Use 'true' so that all T-sentences can be asserted, and the definition will then be 'adequate' [Tarski]
Each interpreted T-sentence is a partial definition of truth; the whole definition is their conjunction [Tarski]
We don't give conditions for asserting 'snow is white'; just that assertion implies 'snow is white' is true [Tarski]
3. Truth / F. Semantic Truth / 1. Tarski's Truth / b. Satisfaction and truth
The best truth definition involves other semantic notions, like satisfaction (relating terms and objects) [Tarski]
Specify satisfaction for simple sentences, then compounds; true sentences are satisfied by all objects [Tarski]
3. Truth / F. Semantic Truth / 1. Tarski's Truth / c. Meta-language for truth
We can't use a semantically closed language, or ditch our logic, so a meta-language is needed [Tarski]
The metalanguage must contain the object language, logic, and defined semantics [Tarski]
3. Truth / F. Semantic Truth / 2. Semantic Truth
If listing equivalences is a reduction of truth, witchcraft is just a list of witch-victim pairs [Field,H on Tarski]
3. Truth / G. Axiomatic Truth / 1. Axiomatic Truth
We need an undefined term 'true' in the meta-language, specified by axioms [Tarski]
3. Truth / H. Deflationary Truth / 1. Redundant Truth
Truth can't be eliminated from universal claims, or from particular unspecified claims [Tarski]
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
Semantics is a very modest discipline which solves no real problems [Tarski]
4. Formal Logic / B. Propositional Logic PL / 3. Truth Tables
Truth tables give prior conditions for logic, but are outside the system, and not definitions [Tarski]
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
We can dispense with self-evidence, if language itself prevents logical mistakes [Jeshion on Wittgenstein]
5. Theory of Logic / D. Assumptions for Logic / 2. Excluded Middle
The truth definition proves semantic contradiction and excluded middle laws (not the logic laws) [Tarski]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
A statement's logical form derives entirely from its constituents [Wittgenstein]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
'And' and 'not' are non-referring terms, which do not represent anything [Wittgenstein, by Fogelin]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
The Liar makes us assert a false sentence, so it must be taken seriously [Tarski]
7. Existence / C. Structure of Existence / 6. Fundamentals / d. Logical atoms
The sense of propositions relies on the world's basic logical structure [Wittgenstein]
12. Knowledge Sources / A. A Priori Knowledge / 5. A Priori Synthetic
My main problem is the order of the world, and whether it is knowable a priori [Wittgenstein]
16. Persons / B. Nature of the Self / 4. Presupposition of Self
The philosophical I is the metaphysical subject, the limit - not a part of the world [Wittgenstein]
19. Language / A. Nature of Meaning / 2. Meaning as Mental
Propositions assemble a world experimentally, like the model of a road accident [Wittgenstein]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
25. Social Practice / F. Life Issues / 4. Suicide
Absolute prohibitions are the essence of ethics, and suicide is the most obvious example [Wittgenstein]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]